"In the summer of 1972, Peter Perrett, aged 20, records some songs with his friends John Newey and Harry Kalouli to show to a putative new member aimed for guitarist in a new band (then called Peter & the Pets or England's Glory) how were his songs. Newey was beating time on a biscuit box and Harry Kakouli slapping his bass (this comes from the Nina Antonia Perrett's biography). The result is surprising since here Peter Perrett is closer to his Only Ones period than to the short England's Glory one. He doesn't imitate so much Lou Reed than in their demo-LP of the further year. The most thrilling for any Only Ones fan, is to hear "Inbetweens" 6 years before it will appear on record. Some weeks later, there will be another "session", allowing to discover other new songs from this phoenix that honestly, has few chances in 1973 to be recognized as a major composer given the music featuring in the charts. So here is this testimony, released under the name of England's Glory in 2005 in a compilation called "The First And Last". I did the cover sleeve from 2 pictures I found on the net. I think it's rather appropriate." via britrockaholic via dkandroughmix-forgottensongs.blogspot.com
In what I consider a major "coup" for this blog, I've received permission from the great Al Kooper (if you don't know who he is go read this) to post MP3s of his infamous "Kapusta Kristmas Albums". I'm starting with number 3 as I've only got Volumes 3, 4 and 5. Trying to get my mitts on the other two.
Tapes of these records have been a massive influence and source of amusement to me and all my musician friends over the last 20 years or so, since my buddy Mark Spencer gave me my first tape. The titles of all 3 of my solo LPs (as well as the cover art of my newest one "There's No Sound In Flutes") are all based on quotes from tracks contained on them.
Here's a piece from the Houston Chronicle about them that sums the whole thing up pretty well.
"For several years back in the '80s and '90s, rock and roll keyboard legend Al Kooper had a very cool yuletide custom. Kooper was (and is) an avid collector of prank calls, celebrity (and some non-celebrity) bloopers, weird songs, hilarious answering-machine messages and studio banter, and each December he would press up a few of the best of them on vinyl and send the albums to the lucky few dozen people on his Christmas list"
"These were called Al Kooper's Kapusta Kristmas albums, and they now cost a fortune on eBay. Because of their limited circulation and high appeal, back in the day most people heard them on second-, third- and fourth-generation cassettes, and so most people just called them Al Kooper tapes. The Kooper tapes not only revealed the darker side of stars like Barry White, Buddy Rich, Casey Kasem and Orson Welles, they also made a few of their own, such as the bluesy and quite probably boozy preacher Prophet Omega and the whacked-out and quite possibly cracked-out music business wannabe proprietor of J&H Productions."
"Not only are these tapes huge hits as tour-bus entertainment for rock and country stars, but comedy writers in Hollywood certainly had access to the Kooper tapes. The running joke in The Simpsons wherein Bart goads Moe into vitriol-spewing rage by getting him to ask for patrons like Al Coholic and such was pretty much lifted verbatim from one of these albums, and Orson Welles's ill-fated frozen peas commercial was likewise borrowed in an episode of Pinky and the Brain. And on In Living Color, David Allen Grier and Tommy Davidson's Funky Finger Productions also seemed to owe a lot of its spirit to the aforementioned J&H Productions."
So here is "Al Kooper Presents The Third Annual Kapusta Kristmas Album" (a tip of the hat to my friend Brian Talley of Moondog Audio Restoration who provided me with this material which he lovingly digitized from vinyl- he also scanned the covers and labels)